{"title":"Fall Sale 2023","description":"","products":[{"product_id":"the-murder-city-devils_the-murder-city-devils","title":"The Murder City Devils","description":null,"brand":"The Murder City Devils","offers":[{"title":"LP","offer_id":40768805798063,"sku":"90011","price":12.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40768805830831,"sku":"90012","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/themurdercitydevils-themurdercitydevils-cover-1500x1500.jpg?v=1633413985"},{"product_id":"beachwood-sparks_make-the-cowboy-robots-cry","title":"Make The Cowboy Robots Cry","description":"\u003cp\u003eSix new songs from Beachwood Sparks, featuring new\/original (he played drums for the band’s first couple of shows) drummer Jimi Hey, and recorded by electronic whiz-kid Jimmy Tamborello (\u003cspan class=\"caps\"\u003eDNTEL\u003c\/span\u003e\/Figurine\/The Postal Service). 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Tallahassee documents the very first steps on a journey that would lead to a career as one of America’s most original and distinctive singer-songwriters. \u003c\/p\u003e\n\u003cp\u003eCreek arrived like a thief in the night with its lo-fi, hushed vocals and intimate nature, while almost inversely Tallahassee comes with a strange sense of confidence. Perhaps an almost youthful discretion that likely comes from being too young to know better and too naïve to give a shit. The recordings themselves are more polished than Creek and give a peak into what a studio version of that record might have offered up. \u003c\/p\u003e\n\u003cp\u003eTallahassee was recorded over the course of 1998-1999 when Beam and future bandmate EJ Holowicki moved into a house together. Beam had not been performing publicly, however he was known for playing an original song or two in the early morning glow of a long night. Holowicki also in the film program and who would go onto a career as a sound designer at Skywalker Sound, had a mobile recording device and after some prodding convinced his friend to record these late-night meditations. \u003c\/p\u003e\n\u003cp\u003eTogether they would record close to twenty-four songs, ideas and sketches, with EJ on bass and Sam on vocals, guitar, harmonica and drums.  The recordings – all captured in the house where they lived – have a “live in the room” feel akin to say Neil Young’s Harvest or Nick Drake’s Five Leaves Left, rather than the homespun lo-fi 4-track home recording experiment taking place at the time. \u003c\/p\u003e\n\u003cp\u003eThese recordings, minus one track, have never been made available and were instead left preserved on a hard drive for the last twenty years.  The one track that floated out there, called “In Your Own Time” was shared without a title to childhood friend Ben Bridwell (\u003ca href=\"https:\/\/megamart.subpop.com\/collections\/band-of-horses\"\u003eBand of Horses\u003c\/a\u003e) at some point. The song became known as the “Fuck Like A Dog” song and Ben shared it with more than a few folks during the golden era of mix cd’s.  Two of those folks were Jonathan Poneman from Sub Pop and journalist Mike McGonigal, who included it on his best songs of 2001 mix cd, passed out to friends and acquaintances.  And for many that is where the Iron \u0026amp; Wine story begins, until now…\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"docs-internal-guid-60b54ee0-7fff-e801-614e-1eaa8c722144\"\u003eTallahassee is the foreword to your favorite book that you’ve somehow skipped over time and time again. It’s an alternative history mixed with some revisionist history told over the course of eleven songs. 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But, there’s much more to Male Bonding than high-speed, high-impact punk. If you will know their velocity, you will remember their melodies. Every song on \u003ccite\u003eNothing Hurts\u003c\/cite\u003e, whether a clipped, snarling rock anthem (“All Things This Way,” “Crooked Scene,” “Pumpkin”) or something more foggy and contemplative (“Franklin,” “Worse to Come”), carries a hook that’s immediate and permanent. \u003ccite\u003eNothing Hurts\u003c\/cite\u003e was recorded in the fall of 2009 in New York and mixed and mastered by Pete Lyman at Infrasonic Sound.\u003c\/p\u003e","brand":"Male Bonding","offers":[{"title":"LP","offer_id":40768806650031,"sku":"708541","price":11.69,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40768806682799,"sku":"708542","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/6473.jpg?v=1633414002"},{"product_id":"sebadoh_harmacy","title":"Harmacy","description":"\u003cp\u003eReleased 8\/20\/96.\u003cbr\u003e\u003c\/p\u003e","brand":"Sebadoh","offers":[{"title":"CD","offer_id":40768806748335,"sku":"703702","price":7.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/553.gif?v=1633414005"},{"product_id":"swan-lake_beast-moans","title":"Beast Moans","description":null,"brand":"Swan Lake","offers":[{"title":"CD","offer_id":40768808943791,"sku":"40655962","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/2916.jpg?v=1633414011"},{"product_id":"thermals_more-parts-per-million","title":"More Parts Per Million","description":"\u003cp\u003e\u003cb\u003e*Red colored vinyl SOLD OUT. Black vinyl now shipping. \u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe Thermals, from Portland, OR, present to you their debut full-length, More Parts Per Million, in all its “no-fi” glory! Distorted guitars, distorted bass, distorted drums, and distorted vocals collide into perfect, distorted pop songs. All-stars Hutch Harris, Kathy Foster, Ben Barnett, and Jordan Hudson make up The Thermals (and, between them, are either some or all of the following bands: Kind of Like Spitting, Operacycle, All Girl Summer Fun Band, and Hutch and Kathy). A band for little more than six months now, they’re already forcing people to take notice (Seattle’s The Stranger had this recent bit of praise: “Million is one of those records that makes the worst spells of depression instantly seem like hazy, nonsensical, memories and fills you with gushing desire and lust for life.”).\u003c\/p\u003e","brand":"Thermals","offers":[{"title":"LP","offer_id":40768809074863,"sku":"706221","price":16.1,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40768809107631,"sku":"706222","price":10.39,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/829.gif?v=1633414015"},{"product_id":"jana-mccall_slumber","title":"Slumber","description":"\u003cp\u003eTrack Listing:\u003c\/p\u003e\r\u003cp\u003e1. Eyes Aglow\u003cbr\u003e\r2. Carolina\\’s Crown\u003cbr\u003e\r3. Still\u003cbr\u003e\r4. Bloodlines\u003cbr\u003e\r5. Clary\u003cbr\u003e\r6. Birthday\u003cbr\u003e\r7. 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A devoted cinephile, Hughes sees film as a major influence in the band, from the projections (created by band member Leon Dufficy) that feature heavily in their live performances, to the free-floating grace of the new album.\u003c\/p\u003e\r\u003cp\u003eRecorded at his own studio in Greenwich, \u003ccite\u003eCreatures of an Hour\u003c\/cite\u003e fuses whispered intimacy to the emotional expansiveness of composer Ennio Morricone. Hughes has crafted an album of deceptively simple songs that linger like half-remembered dreams. Lead single \u003ca href=\"http:\/\/www.subpop.com\/releases\/still_corners\/singles\/cuckoo\"\u003eCuckoo\u003c\/a\u003e shines in its simplicity, a single drumbeat, ghostly guitar, and distant organ highlighting Murray’s haunting soprano as she asks, “I’d like to read your mind\/can you read mine?” Hughes explains, “It’s about being confused. Am I going crazy? Does this person like me? What’s happening? That’s the vibe of the whole record really.”\u003c\/p\u003e\r\u003cp\u003eFor now, Hughes is happy to maintain Still Corners’ musical mystery. “I don’t like to talk too much on decoding the songs. It takes the mystery away,” he says. Reviewers like \u003ccite\u003eGorilla vs. Bear\u003c\/cite\u003e, \u003ccite\u003ePitchfork\u003c\/cite\u003e and \u003ccite\u003eDrowned in Sound\u003c\/cite\u003e, however, have proven more than happy to sing the praises of Still Corners’ pop beauty. So grab some popcorn and stick around—for Still Corners this is just act one.\u003c\/p\u003e","brand":"Still Corners","offers":[{"title":"LP","offer_id":40768810549423,"sku":"709401","price":11.69,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":40768810582191,"sku":"709402","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/10275.jpg?v=1633414023"},{"product_id":"the-spinanes_madding-10-metre-platform","title":"Madding\/10 Metre Platform","description":null,"brand":"The Spinanes","offers":[{"title":"7 inch","offer_id":40768810811567,"sku":"703177","price":3.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/476.gif?v=1633414026"},{"product_id":"jeremy-enigk_return-of-the-frog-queen-expanded-edition","title":"Return of the Frog Queen (Expanded Edition)","description":"\u003cp\u003e\u003cspan\u003eJeremy Enigk\rperformed with legendary indie rock band \u003ca href=\"http:\/\/www.subpop.com\/artists\/sunny_day_real_estate\"\u003eSunny Day Real Estate\u003c\/a\u003e from 1993 to\r2000. He was their singer, songwriter, and one of their guitarists. In 1996,\rfollowing Sunny Day Real Estate’s first breakup (which lasted from 1995 to\r1997), Enigk released his first solo album, \u003ci\u003eReturn\rof the Frog Queen\u003c\/i\u003e. \u003c\/span\u003e\u003c\/p\u003e\r\r\u003cp\u003e\u003ci\u003eReturn of the Frog Queen\u003c\/i\u003e\rrepresents a major shift from the sound of Sunny Day Real Estate. The album features\ra 21-piece orchestra backing Enigk as he performs striking, dramatic,\rchamber-pop compositions that demonstrate the full breadth of Enigk’s talents\ras a singer, musician, and songwriter. The album was produced by Greg\rWilliamson, who also produced Sunny Day Real Estate’s 1998 comeback album, \u003ci\u003e\u003ca href=\"https:\/\/megamart.subpop.com\/releases\/sunny_day_real_estate\/how_it_feels_to_be_something_on\"\u003eHow it Feels to Be Something On\u003c\/a\u003e\u003c\/i\u003e.\u003c\/p\u003e\r\r\u003cp\u003e\u003ci\u003eReturn of the Frog Queen\u003c\/i\u003e has\rbeen out of print since its original 1996 pressing. This reissue includes the\roriginal album, remastered in 2018, plus digital bonus tracks from Enigk’s 1996\rlive session on Seattle radio station The End. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Jeremy Enigk","offers":[{"title":"LP","offer_id":40768810942639,"sku":"712081","price":13.39,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40768810975407,"sku":"712082","price":10.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/files\/je-rothfq-cover-1936.jpg?v=1769634399"},{"product_id":"papercuts_you-can-have-what-you-want","title":"You Can Have What You Want","description":"\u003cp\u003ePapercuts’ You Can Have What You Want is the newest phase in Jason Quever’s ongoing pop investigations. The relatively earthbound happy\/sad pop of Mockingbird and Can’t Go Back has been launched into the vault of the skies. Here, Quever delves further into epic dream-pop using mostly vintage organs, pulsing bass, and Kraut-via-Ringo-inspired drum rhythms. Intact from those earlier efforts is Quever’s sense of arrangement and drama, as well as his soaring vocals, draped in reverb gauze. The words reveal a fascination with mortality and things cosmic, while sonically the voice acts as another instrument. This obsessively all-analog effort (no computer processing here whatsoever!) cuts across several eras of dreamy sound: ‘80s\/’90s Creation and 4AD Records, The Zombies, ‘60s French pop, even Can’s Future Days—and then there’s the inevitable connection to former tourmates Beach House and Grizzly Bear. Indeed, Beach House’s Alex Scally helped with some of the arrangements, though You Can Have What You Want is its own strain of addictive pop. For many, it will be the blissful\/melancholy jam of the spring and summer.\u003c\/p\u003e","brand":"Papercuts","offers":[{"title":"CD","offer_id":40768811008175,"sku":"40885992","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/8341.jpg?v=1633414031"},{"product_id":"still-corners_cuckoo","title":"Cuckoo","description":"\u003cp\u003eStill Corners is a four-piece band from London, England. They’re new to the label and we’re crazy about them. Both of the songs on this single will be on the upcoming Still Corners full-length, \u003ccite\u003eCreatures of an Hour\u003c\/cite\u003e, which we will be releasing later this year.\u003c\/p\u003e","brand":"Still Corners","offers":[{"title":"7 inch","offer_id":40768811106479,"sku":"709287","price":5.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/9376.jpg?v=1633414033"},{"product_id":"goat_live-ballroom-ritual","title":"Live Ballroom Ritual","description":"\u003cp\u003eOn July 27th 2013, the eve of their now legendary Glastonbury performances, Goat took the stage at Camden’s Electric Ballroom in London to celebrate the recent launch of their single ‘Stonegoat’. The show was incendiary; the 1,100+ crowd either danced furiously to the band’s psyched grooves or stood there, mouths open and gazed in awe at the spectacle they couldn’t believe they were witnessing. It truly was a band on top of their game, which this LP called \u003ccite\u003eLive Ballroom Ritual\u003c\/cite\u003e will forever prove.\u003c\/p\u003e","brand":"Goat","offers":[{"title":"2xLP","offer_id":40768811204783,"sku":"41056961","price":32.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":40768811237551,"sku":"41056962","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/14047.jpg?v=1633414035"},{"product_id":"css_alala","title":"Alala","description":"\u003cp\u003eFour-song white label 12\" with remixes by Bonde Do Role and Princess Superstar for you to go buckwild on.  \u003c\/p\u003e\u003cp\u003eThe CD includes two tracks.\u003cbr\u003e\u003c\/p\u003e","brand":"CSS","offers":[{"title":"CD","offer_id":40768811335855,"sku":"707282","price":3.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/2819.jpg?v=1633414036"},{"product_id":"dum-dum-girls_only-in-dreams","title":"Only in Dreams","description":"\u003cp\u003eOn several levels, Dum Dum Girls’ second full-length \u003ccite\u003eOnly in Dreams\u003c\/cite\u003e is a great leap forward for a gifted songwriter and an equally gifted band—it’s heavy, deeply personal stuff and surely unprecedented for this style of music. “The first record was basically the first songs I’d ever written,” says band-leader Dee Dee, “and I was thinking nostalgically about being a teenager. This record, it was pretty much impossible not to write about very recent, very real things.” Very real things indeed: Dee Dee wrote “Hold Your Hand” immediately after her mother (the pretty lady on the cover of both the Dum Dum Girls’ self-titled 2009 debut EP and their 2010 debut album \u003ca href=\"http:\/\/www.subpop.com\/releases\/dum_dum_girls\/full_lengths\/i_will_be\/\"\u003e\u003ccite\u003eI Will Be\u003c\/cite\u003e\u003c\/a\u003e) was diagnosed with what turned out to be a fatal illness, and it’s one of several songs on \u003ccite\u003eOnly in Dreams\u003c\/cite\u003e that unsparingly trace her mom’s passing. Other songs spell out the emotional toll of separation from one’s lover, something Dee Dee had to deal with while she and her husband (Brandon Welchez of the acclaimed noise-pop band Crocodiles) pursued their own tour schedules.\u003c\/p\u003e\r\u003cp\u003e\u003ccite\u003eOnly in Dreams\u003c\/cite\u003e more than fulfills the promise of 2011’s acclaimed and fast-selling \u003ca href=\"http:\/\/www.subpop.com\/releases\/dum_dum_girls\/eps\/he_gets_me_high\"\u003e\u003ccite\u003eHe Gets Me High\u003c\/cite\u003e\u003c\/a\u003e EP. It retains Dum Dum Girls’ signature blend of the girl-gang eyeliner punk of the Shangri-Las, the trashy propulsion of the Cramps, and the moody atmospherics of Mazzy Star, but for the first time, all four Dum Dum Girls play and sing on the album. Now the harmonies have more depth, Jules plays her own distinctive guitar leads, and the Bambi (bass)\/Sandy (drums) rhythm section powers the music like a vintage V-8 engine. Best of all, tons of time on the road—including two massively successful headlining tours—have molded Dum Dum Girls into a very formidable rock \u0026amp; roll band, giving the music an undeniable force.\u003c\/p\u003e\r\u003cp\u003eAnd now that power and glory is showcased by full-on studio production—while \u003ccite\u003eI Will Be\u003c\/cite\u003e was recorded at home and modestly spiffed up in a studio by legendary pop maestro Richard Gottehrer (Blondie, Go-Go’s), \u003ccite\u003eOnly in Dreams\u003c\/cite\u003e was recorded at Josh Homme’s Pink Duck Studios, and Gottehrer again produced, this time with Sune Rose Wagner from the Raveonettes.\u003c\/p\u003e\r\u003cp\u003e\u003ccite\u003eOnly in Dreams\u003c\/cite\u003e represents a musical evolution for Dum Dum Girls and a personal one for Dee Dee, and that’s no coincidence. “I’m for real,” she says. “We all are. I’m really passionate about this, it’s all I know. And maybe we’ve just grown up a bit-or grown out a bit. There’s some weight to what we do, and a pure intent, and I think that comes across on this album.”\u003c\/p\u003e","brand":"Dum Dum Girls","offers":[{"title":"LP","offer_id":40768811368623,"sku":"709501","price":11.69,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":40768811401391,"sku":"709502","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/9873.jpg?v=1633414040"},{"product_id":"flight-of-the-conchords_live-in-london","title":"Live in London","description":"\u003cp\u003eFlight of the Conchords will release Live in London on 2xCD\/3xLP\/DL\/CS worldwide via Sub Pop on March 8th, 2019. This past October and ten years after the launch of their hit HBO series, musical comedians Bret McKenzie and Jemaine Clement returned to the network for an all-new comedy special. Live in London was taped before a live audience at the Eventim Apollo and features the Conchords performing new songs from the sold-out UK and Ireland edition of “Flight of the Conchords Sing Flight of the Conchords Tour.”\u003c\/p\u003e\u003cp\u003eThe Live in London album features 7 new songs including \u003ca title=\"Link: https:\/\/youtu.be\/NzP7y7bqB8c\" href=\"https:\/\/youtu.be\/NzP7y7bqB8c\"\u003e“Iain and Deanna,”\u003c\/a\u003e \u003ca title=\"Link: https:\/\/youtu.be\/4cZAr_WaLcw\" href=\"https:\/\/youtu.be\/4cZAr_WaLcw\"\u003e“Father and Son,”\u003c\/a\u003e “Summer of 1353,” “Stana,” “Seagull,” “Back on the Road,” and “Bus Driver.” The album also features performances of fan favorites “Inner City Pressure,” “Bowie,” “Foux du Fafa,” “Mutha'uckas - Hurt Feelings,” “Robots,” “Carol Brown” and “The Most Beautiful Girl (In The Room)’ (the latter two bonus tracks edited out of the broadcast due to time constraints).\u003c\/p\u003e\u003cp\u003eNew Zealanders McKenzie and Clement debuted on HBO in 2005 in an edition of the comedy series “One-Night Stand,” returning to the network in 2007 for the debut season of their acclaimed, Emmy-nominated series “Flight of the Conchords,” which followed fictionalized versions of their lives in New York City. The duo also signed a worldwide deal with Sub Pop Records for their recorded music, going on to release the Grammy-winning EP, \u003ca href=\"https:\/\/megamart.subpop.com\/releases\/flight_of_the_conchords\/the_distant_future\"\u003eThe Distant Future\u003c\/a\u003e in 2007, followed by two full-length albums - their \u003ca href=\"https:\/\/megamart.subpop.com\/releases\/flight_of_the_conchords\/flight_of_the_conchords\"\u003eself-titled debut\u003c\/a\u003e in 2008, and \u003ca title=\"Link: https:\/\/megamart.subpop.com\/releases\/flight_of_the_conchords\/i_told_you_i_was_freaky\" href=\"https:\/\/megamart.subpop.com\/releases\/flight_of_the_conchords\/i_told_you_i_was_freaky\"\u003eI Told You I Was Freaky\u003c\/a\u003e in 2009. \u003cbr\u003e\u003cbr\u003eThe Conchords have also enjoyed individual success. Clement’s film credits include the “Rio” movies, “Men in Black 3,” “What We Do in the Shadows” and “The BFG,” and he's also been seen in his role in FX’s “Legion.” McKenzie was the music supervisor for “The Muppets,” which won him an Academy Award® for Best Original Song for “Man or Muppet,” and “Muppets Most Wanted.”\u003cbr\u003e\u003c\/p\u003e","brand":"Flight of the Conchords","offers":[{"title":"Loser (color) 3xLP","offer_id":40768811565231,"sku":"712750","price":18.6,"currency_code":"USD","in_stock":false},{"title":"3xLP","offer_id":40768811630767,"sku":"712751","price":22.45,"currency_code":"USD","in_stock":true},{"title":"2xCD","offer_id":40768811663535,"sku":"712752","price":9.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":40768811696303,"sku":"712754","price":7.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/files\/FlightOfTheConchords_LiveInLondon_2xLP_MockUp.jpg?v=1741396377"},{"product_id":"fruit-bats_tripper","title":"Tripper","description":"*BLUE VINYL SOLD OUT - ONLY BLACK VINYL AVAILABLE NOW*\r\u003cp\u003eWith the 2001 release of the Fruit Bats’ debut album, \u003ccite\u003eEcholocation\u003c\/cite\u003e, Eric D. Johnson embarked on a career in music that has, to date, included ten years with the Fruit Bats, sideman duties for bands including Califone, \u003ca href=\"http:\/\/www.subpop.com\/artists\/vetiver\"\u003eVetiver\u003c\/a\u003e and \u003ca href=\"\/artists\/the_shins\"\u003eThe Shins\u003c\/a\u003e, and more recently, soundtrack work for films like \u003ccite\u003eCeremony\u003c\/cite\u003e and the soon-to-be-released Paul Rudd comedy \u003ca href=\"http:\/\/www.imdb.com\/title\/tt1637706\/\"\u003e\u003ccite\u003eOur Idiot Brother\u003c\/cite\u003e\u003c\/a\u003e. \u003ccite\u003eTripper\u003c\/cite\u003e, the new and fifth Fruit Bats full-length, was recorded at \u003cspan class=\"caps\"\u003eWACS\u003c\/span\u003e Studio in Los Angeles with Thom Monahan, best known as producer for the last four Vetiver albums, Devendra Banhart’s \u003ccite\u003eCripple Crow\u003c\/cite\u003e, and the Pernice Brothers. For the first week of recording, Johnson brought in a full band—Sam Wagster, Ron Lewis and Graeme Gibson—to capture some of the live excitement of the previous Fruit Bats album, 2009’s \u003ca href=\"\/releases\/fruit_bats\/full_lengths\/the_ruminant_band\"\u003e\u003ccite\u003eThe Ruminant Band\u003c\/cite\u003e\u003c\/a\u003e. However, having recently worked alone on soundtracks for an extended period, Johnson knew that he wanted \u003ccite\u003eTripper\u003c\/cite\u003e to be more of a solitary pursuit than his previous album. For the remaining four weeks, he worked with Monahan to deepen and refine the sound. Though, perhaps the most radical thing about the album is not its haunting production, but the way it allows narratives to shape its songs. Johnson says that, though he began experimenting with story songs on \u003ccite\u003eThe Ruminant Band\u003c\/cite\u003e, he has only recently made them his focus. As Johnson approached recording for this latest Fruit Bats album, he began to think, more and more, about the appeal of changing scenery. His own process shifted slightly to focus more on story-based songs, and following his collaborations with film-makers, he began experimenting with more abstract, less folk-based sounds. The resulting album, a bittersweet meditation on hitting the road, leaving the familiar behind and reinventing yourself, is a reinvention itself.\u003c\/p\u003e","brand":"Fruit Bats","offers":[{"title":"LP","offer_id":40768811860143,"sku":"709351","price":15.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":40768811892911,"sku":"709352","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/9624.jpg?v=1633414050"},{"product_id":"the-dutchess-and-the-duke_sunset-sunrise","title":"Sunset \/ Sunrise","description":"\u003cp\u003e\u003cem\u003eSunset \/ Sunrise\u003c\/em\u003e, a slump-dodging opus that takes the dark, raw beauty of the band’s debut and scales it up to distinctly luminescent heights, thanks to a graceful synthesis of painfully earned creative maturity and thoughtful production under Greg Ashley’s adroitly tuned ears. The Gris Gris frontman’s analog-equipped, Bay Area studio was the ideal space for Jesse Lortz and fellow vocalist and guitarist Kimberly Morrison to arch their intimate musical dialog into the larger shape they had envisioned. Much of what colors \u003cem\u003eSunset \/ Sunrise\u003c\/em\u003e‘s ten tracks is the confidence the duo acquired during extensive touring throughout 2008 in support of their debut, _She’s the Dutchess, He’s the Duke_.\u003c\/p\u003e","brand":"The Dutchess \u0026 the Duke","offers":[{"title":"LP","offer_id":40768811958447,"sku":"730091","price":10.39,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40768811991215,"sku":"730092","price":7.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/8549.jpg?v=1633414052"},{"product_id":"sub-pop_loser-black-w-white","title":"Loser Black w\/ white","description":"Black shirt with white print and large black Sub Pop logo on back. \u003cbr\u003eAlso available in white \u003ca href=\"https:\/\/megamart.subpop.com\/tshirts\/sub_pop\/loser_white_w_black\"\u003ehere.\u003c\/a\u003e","brand":"Sub Pop","offers":[{"title":"XS","offer_id":40768812318895,"sku":"20000891","price":13.5,"currency_code":"USD","in_stock":true},{"title":"S","offer_id":40768812351663,"sku":"20000892","price":13.5,"currency_code":"USD","in_stock":true},{"title":"M","offer_id":40768812384431,"sku":"20000893","price":13.5,"currency_code":"USD","in_stock":true},{"title":"L","offer_id":40768812417199,"sku":"20000894","price":13.5,"currency_code":"USD","in_stock":true},{"title":"XL","offer_id":40768812449967,"sku":"20000895","price":13.5,"currency_code":"USD","in_stock":true},{"title":"2XL","offer_id":40768812482735,"sku":"20000896","price":13.5,"currency_code":"USD","in_stock":true},{"title":"3XL","offer_id":40768812515503,"sku":"20000897","price":13.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/12124.jpg?v=1633414056"},{"product_id":"the-grifters_wickedthing-organ-grinder","title":"Wickedthing\/Organ Grinder","description":"\u003cp\u003eReleased in 1997.\u003c\/p\u003e\n\u003c!----\u003e","brand":"The Grifters","offers":[{"title":"7 inch","offer_id":40768812613807,"sku":"703827","price":3.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/571.gif?v=1633414058"},{"product_id":"cartel-madras_age-of-the-goonda-trapistan","title":"Age of the Goonda\/Trapistan","description":"\u003cmeta charset=\"utf-8\"\u003eThe cassette available here includes both \"\u003ca href=\"https:\/\/megamart.subpop.com\/products\/cartel-madras_age-of-the-goonda\"\u003eAge of the Goonda\u003c\/a\u003e\" plus \"\u003ca href=\"https:\/\/megamart.subpop.com\/products\/cartel-madras_trapistan\"\u003eTrapistan\u003c\/a\u003e\"! \u003cbr\u003eThe cassette does \u003cstrong\u003enot\u003c\/strong\u003e include a digital download.","brand":"Cartel Madras","offers":[{"title":"Cassette","offer_id":40768812777647,"sku":"713464","price":7.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/0018792598_10_29d1e2f6-4a7b-4718-835a-efcf38b6d2ad.jpg?v=1633414059"},{"product_id":"chad-vangaalen_soft-airplane-lp","title":"Soft Airplane LP","description":"\u003cp\u003eChad VanGaalen’s \u003ccite\u003eSoft Airplane\u003c\/cite\u003e LP on Flemish Eye Records.  This is a double-LP.\u003c\/p\u003e","brand":"Chad VanGaalen","offers":[{"title":"LP","offer_id":40768812843183,"sku":"40680981","price":31.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/4692.jpg?v=1633414061"},{"product_id":"dum-dum-girls_i-will-be","title":"I Will Be","description":"\u003cp\u003e\u003ccite\u003eI Will Be\u003c\/cite\u003e is the debut full-length by the Dum Dum Girls. Produced by Dee Dee and Richard Gottehrer (Strangeloves, Voidoids, Blondie, The Go-Gos and, more recently, The Raveonettes), \u003ccite\u003eI Will Be\u003c\/cite\u003e is neither lo-fi nor too polished. 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Arguably the band’s most complete album, the record pairs Stones-indebted blues-rock roots with beautiful songs, sounding miles removed from the era’s grunge and radio-friendly alternative rock tropes.\u003c\/p\u003e\u003cp\u003eRecorded at Idful Studios in Chicago’s Wicker Park by producer Brad Wood (Smashing Pumpkins, Liz Phair, Tortoise), Bunny Gets Paid finds Red Red Meat’s core members, Tim Rutilli, Brian Deck, Ben Massarella, and Tim Hurley, straddling the line between their most accessible set of songs and a desire to explore a kind of “alternate fidelity,” employing layers of distortion, natural reverb, and room ambience.\u003c\/p\u003e\u003cp\u003e“At the time, I felt like we’d made a classic rock record,” Rutilli says. “I was like, ‘This is our Astral Weeks.’” But listening back 20 years later, Rutilli recognizes the band’s ambition, a desire to break songs down to their barest, most primitive elements to “see what survives.”\u003c\/p\u003e\u003cp\u003e“I think it was about testing the melody, how strong a melody was,” Rutilli says. “It was loving pop music and classic rock songs, but also loving noise…the slow burn of actual sound.”\u003c\/p\u003e\u003cp\u003eDrummer Brian Deck, who’d go on to work on records by Modest Mouse, The Fruit Bats, Iron and Wine, and others, recalls the band’s 1995 Sub Pop debut, Jimmywine Majestic, making “this promise of a rock revivalist band.” With Bunny Gets Paid, the band “went in a different direction from that.”\u003c\/p\u003e\u003cp\u003e“To a certain extent we were just punk asses,” Deck says. “We wanted to do what wasn’t expected of us. 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The record closes with a reading of “There’s Always Tomorrow,” as featured in the Rankin\/Bass Christmas special Rudolph the Red-Nosed Reindeer, and the song fits magically and without irony, a downcast but hopeful sentiment. \u003c\/p\u003e\u003cp\u003e“They were ahead of the time,” producer Brad Wood says. “People say that about bands all the time, but it certainly felt that way to me with this particular band.”\u003c\/p\u003e\u003cp\u003e“As Red Red Meat progressed you see them abandoning traditional song forms, experimenting with the sounds of things -- basing songs on sounds and grooves,” Wood says. “More than just about any band I ever worked with, Red Red Meat digested their influences.” On Bunny Gets Paid, blues and classic rock and roll sounds are transmuted; the record is the sound Red Red Meat finding unique creative footing.\u003c\/p\u003e","brand":"Red Red Meat","offers":[{"title":"2xLP","offer_id":40768813105327,"sku":"40243971","price":27.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/jb117-cover-full.jpg?v=1633414067"},{"product_id":"six-finger-satellite_massive-cocaine-seizure-human-operator","title":"Massive Cocaine Seizure\/Human Operator","description":"\u003cp\u003eReleased 3\/96.\u003cbr\u003e\u003c\/p\u003e","brand":"Six Finger Satellite","offers":[{"title":"7 inch","offer_id":40768813334703,"sku":"703277","price":3.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/2092.jpg?v=1633414068"},{"product_id":"the-shins_chutes-too-narrow","title":"Chutes Too Narrow","description":"\u003cp\u003eThe Shin’s debut full-length, 2001’s \u003ci\u003eOh, Inverted World\u003c\/i\u003e, was a stunner; resoundingly well-received and landing itself on numerous year-end best-of-lists. \u003cspan class=\"caps\"\u003eMOJO\u003c\/span\u003e placed it at #14 of the year and commented, “This quartet from Albuquerque, New Mexico captured our hearts this summer with their pristine pop perfection.” And, Seattle’s \u003ci\u003eThe Stranger\u003c\/i\u003e went even further with, “…a referential, brilliant record which had better blow up, or the world has forgotten what pop music is all about.” As far as we’re concerned it did blow up – seems there’s still some hope for the world and its conception of pop music. Since that first record, singer\/songwriter\/guitarist James Mercer and drummer Jesse Sandoval moved from Albuquerque to Portland, OR and bassist Neal Langford was replaced with Dave Hernandez (ex-Scared Of Chaka), who played bass on the stand-out track from the first record, “New Slang.” \u003ci\u003eChutes Too Narrow\u003c\/i\u003e, their heavily anticipated follow-up, was recorded in James’ basement home studio, with later mixing assistance from Phil Ek (Built to Spill, Modest Mouse, David Cross, Les Savy Fav, etc.). 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B L O U S E is based out of a 6,000 square-foot warehouse on the north end of Portland, Oregon. The project started in the summer of 2010, after Los Angeles native Charlie Hilton met Patrick Adams in art school. They made a few home recordings and soon began spending nights at the warehouse recording with Jacob Portrait (Producer of Mint Chicks, Dandy Warhols, Starfucker). Having played music since their teens, the three found that there was something inexplicable in their coming together. Sub Pop Records will be releasing their ever so charming second single \u003ccite\u003eShadow\u003c\/cite\u003e b\/w \u003ccite\u003eNights and Days\u003c\/cite\u003e on May 31st. Shadow is a song about death, disguised in a veil of Summer. These two tunes are instantly catchy and represent a great young band coming out of their warehouse exposing their new works to the world.\u003c\/p\u003e\u003cp\u003eWillamette Week on \u003ccite\u003eShadow\u003c\/cite\u003e:\u003c\/p\u003e\u003cp\u003e“\u003ccite\u003eShadow\u003c\/cite\u003e” is the type of song you want to hear during the big climactic scene of any coming-of-age drama: It has that big, sweeping-yet-wistful sound of all the ‘80s hits we remember from John Hughes’ movies, but it’s not just a caricature of New Order or Orchestral Manoeuvres in the Dark. The song is anchored by a really fantastic bassline and simple stucture, which lets the unknown female voice dance around the stop-and-start rhythm. Blouse’s “\u003ccite\u003eShadow,\u003c\/cite\u003e” one of the best new songs I’ve heard all year.\"\u003c\/p\u003e\u003cp\u003e\u003cobject height=\"18\" width=\"100%\"\u003e \u003cparam name=\"movie\" value=\"http:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F13819064\u0026amp;auto_play=false\u0026amp;player_type=tiny\u0026amp;font=Arial\u0026amp;color=000000\"\u003e \u003cparam name=\"allowscriptaccess\" value=\"always\"\u003e \u003cparam name=\"wmode\" value=\"transparent\"\u003e\n\u003cembed wmode=\"transparent\" allowscriptaccess=\"always\" height=\"18\" src=\"\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F13819064\u0026amp;auto_play=false\u0026amp;player_type=tiny\u0026amp;font=Arial\u0026amp;color=000000\" type=\"application\/x-shockwave-flash\" width=\"100%\"\u003e\u003c\/object\u003e\u003c\/p\u003e","brand":"Blouse","offers":[{"title":"7 inch","offer_id":40768813891759,"sku":"709397","price":3.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/9518.jpg?v=1633414077"},{"product_id":"death-vessel_island-intervals","title":"Island Intervals","description":"\u003cp\u003eDeath Vessel’s Joel Thibodeau’s slender, winsome voice, at once so comforting and so unsettling might be the greatest of his many strengths. 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For his first album since 2008’s acclaimed \u003ca href=\"http:\/\/www.subpop.com\/releases\/death_vessel\/full_lengths\/nothing_is_precious_enough_for_us\/\"\u003e\u003ccite\u003eNothing Is Precious Enough for Us\u003c\/cite\u003e\u003c\/a\u003e, Joel traveled to Reykjavik on an invitation from Sigur Ros singer Jónsi and producer Alex Somers, where they spent three months together conjuring an album that’s both a song cycle and a window into a mysterious and singular landscape.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMP3 download included with all vinyl releases\u003c\/strong\u003e\u003c\/p\u003e","brand":"Death Vessel","offers":[{"title":"LP","offer_id":40768814022831,"sku":"708661","price":11.69,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40768814055599,"sku":"708662","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/13986.jpg?v=1633414080"},{"product_id":"hot-hot-heat_knock-knock-knock","title":"Knock Knock Knock","description":"\u003cp\u003eA first taste of these very recently signed young Canadians. 5 songs of what the fine folks at Aquarius Records in San Francisco are calling “contorto-rock” (do yourself a favor and buy records from Aquarius, they are great, knowldgeable and friendly, plus they do a bang-up mail-order business via their website). Keyboard-driven,  angst-riddled, new wave-y rock, recorded (at least in part) by Chris Walla from Death Cab for Cutie, this EP provides evidence of a far more developed sense of F-U-N than typically expected of the Spock set (which, by the way, is a decidedly good thing).\u003c\/p\u003e","brand":"Hot Hot Heat","offers":[{"title":"CD","offer_id":40768814153903,"sku":"705942","price":5.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/2021.jpg?v=1633414082"},{"product_id":"kinski_down-below-its-chaos","title":"Down Below It's Chaos","description":"\u003cp\u003e\u003ca href=\"http:\/\/www.kinski.net\"\u003eKinski\u003c\/a\u003e is a four-piece rock band from Seattle, WA. Their unique evocation of avant-rock is deconstructionist and heady, but also emotive and visceral. \u003ca href=\"http:\/\/www.nme.com\/\"\u003e\u003cem\u003e\u003cspan class=\"caps\"\u003eNME\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e described \u003ca href=\"http:\/\/www.subpop.com\/artists\/kinski\"\u003eKinski\u003c\/a\u003e as: “Like Sabbath in a washing machine during a power surge.” Comprised of guitarists Chris Martin and Matthew Reid-Schwartz (Matthew also plays keyboards and flute), bassist Lucy Atkinson, and drummer Barrett Wilke, \u003ca href=\"http:\/\/www.subpop.com\/artists\/kinski\"\u003eKinski\u003c\/a\u003e have toured with Mission of Burma, Comets on Fire, Oneida, Mono, Acid Mothers Temple, Black Mountain, and most recently opened a month of dates for Tool on their spring ’07 tour. Produced and recorded by Randall Dunn (Earth, Sunn O))), Boris) at his Aleph Studio in Seattle, \u003cem\u003eDown Below It’s Chaos\u003c\/em\u003e is \u003ca href=\"http:\/\/www.subpop.com\/artists\/kinski\"\u003eKinski’s\u003c\/a\u003e 3rd full-length for Sub Pop. With the notable inclusion of 3 songs with subdued yet urgent vocals courtesy of Chris Martin, the new record is a kaleidoscopic mix of \u003ca href=\"http:\/\/www.subpop.com\/artists\/kinski\"\u003eKinski’s\u003c\/a\u003e expansive, over-driven power and intricate beauty. With majestically fuzzed-out guitar tones, spare and  pounding rhythms, and swirling sonic textures, \u003cem\u003eDown Below It’s Chaos\u003c\/em\u003e sums up \u003ca href=\"http:\/\/www.subpop.com\/artists\/kinski\"\u003eKinski’s\u003c\/a\u003e past and propels them into the ozone. What’s left of it, that is.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"http:\/\/www.myspace.com\/kinskispace\"\u003eKinski on Myspace\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.youtube.com\/watch?v=sMv1-KLjoKk\"\u003eVideo for Kinski’s Punching Goodbye Out Front on YouTube\u003c\/a\u003e\u003c\/p\u003e\u003cp style=\"text-align:right;\"\u003e\u003ca href=\"http:\/\/www.dustedmagazine.com\/reviews\/3779\"\u003eDusted review of \u003ccite\u003eDown Below It’s Chaos\u003c\/cite\u003e\u003c\/a\u003e\u003c\/p\u003e\u003cp style=\"text-align:right;\"\u003e\u003ca href=\"http:\/\/wc05.allmusic.com\/cg\/amg.dll?p=amg\u0026amp;sql=10:j9fyxz9gldse\"\u003eAllmusic review of \u003ccite\u003eDown Below It’s Chaos\u003c\/cite\u003e\u003c\/a\u003e\u003c\/p\u003e\u003cp style=\"text-align:right;\"\u003e\u003ca href=\"http:\/\/treblezine.com\/reviews\/2245-Kinski_Down_Below_It_s_Chaos.html\"\u003eTreble review of \u003ccite\u003eDown Below It’s Chaos\u003c\/cite\u003e\u003c\/a\u003e\u003c\/p\u003e\u003cp style=\"text-align:right;\"\u003e\u003ca href=\"http:\/\/www.timeout.com\/newyork\/article\/21600\/kinski\"\u003eTime Out New York review of \u003ccite\u003eDown Below It’s Chaos\u003c\/cite\u003e\u003c\/a\u003e\u003c\/p\u003e\u003cp style=\"text-align:right;\"\u003e\u003ca href=\"http:\/\/www.pitchforkmedia.com\/article\/record_review\/45160-down-below-its-chaos\"\u003ePitchfork review of \u003ccite\u003eDown Below It’s Chaos\u003c\/cite\u003e\u003c\/a\u003e\u003c\/p\u003e\u003cp style=\"text-align:right;\"\u003e\u003ca href=\"http:\/\/www.new-noise.net\/album-reviews\/kinski\/down-below-its-chaos_2498.html\"\u003eNew-Noise.net review of \u003ccite\u003eDown Below It’s Chaos\u003c\/cite\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Kinski","offers":[{"title":"2xLP","offer_id":40768814219439,"sku":"707411","price":14.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":40768814252207,"sku":"707412","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/3403.jpg?v=1633414084"},{"product_id":"pigeonhed_pigeonheds-flash-bulb-emergency-overflow-cavalcade-of-remixes","title":"Pigeonhed's Flash Bulb Emergency Overflow Cavalcade of Remixes","description":null,"brand":"Pigeonhed","offers":[{"title":"CD","offer_id":40768814317743,"sku":"704082","price":7.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/2110.jpg?v=1633414086"},{"product_id":"fruit-bats_the-ruminant-band","title":"The Ruminant Band","description":"\u003cp\u003eOver the course of three records, the last two on Sub Pop (2003’s \u003ca href=\"http:\/\/www.subpop.com\/releases\/fruit_bats\/full_lengths\/mouthfuls\/\"\u003e\u003ccite\u003eMouthfuls\u003c\/cite\u003e\u003c\/a\u003e and 2005’s \u003ca href=\"http:\/\/www.subpop.com\/releases\/fruit_bats\/full_lengths\/spelled_in_bones\/\"\u003e\u003ccite\u003eSpelled in Bones\u003c\/cite\u003e\u003c\/a\u003e), Eric D. Johnson’s \u003ca href=\"http:\/\/www.subpop.com\/artists\/fruit_bats\/\"\u003eFruit Bats\u003c\/a\u003e have looked for ways to file down the cynical edge of modern life and found many. Using bright melodies, defiantly major-key chord structures, natural imagery mixed with the occasional blazing insight and tender observation, the Fruit Bats have never shied away from darkness, but more uncommon in this day and age, they’ve refused to shy away from light.  With \u003ccite\u003eThe Ruminant Band\u003c\/cite\u003e, this tradition continues in characteristically rich and involving fashion. From the barn-floor stomp of “The Hobo Girl” and the Fleetwood Mac-esque shimmy of the title track to the propulsive yet spacious ‘70s country-rock jam “Tegucigalpa” and the parlor piano soft-shoe of “Flamingo,” \u003ccite\u003eThe Ruminant Band\u003c\/cite\u003e makes good on Johnson’s recent message board promise: “We are going to choogle for you.” Though he has spent the handful of years between Fruit Bats records playing with peers as heralded and forward-thinking as \u003ca href=\"http:\/\/www.subpop.com\/artists\/vetiver\/\"\u003eVetiver\u003c\/a\u003e and \u003ca href=\"http:\/\/www.subpop.com\/artists\/the_shins\/\"\u003eThe Shins\u003c\/a\u003e, the songwriting and production on \u003ccite\u003eThe Ruminant Band\u003c\/cite\u003e mark a further crystallization of Johnson’s own melodic instincts and overall vision over the past near-decade, abetted by brothers-in-arms who know both bluster and restraint.\u003c\/p\u003e","brand":"Fruit Bats","offers":[{"title":"LP","offer_id":40768814350511,"sku":"708301","price":12.15,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":40768814383279,"sku":"708302","price":9.0,"currency_code":"USD","in_stock":true},{"title":"Color LP","offer_id":43808105005231,"sku":"708303","price":17.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/files\/FruitBats_RuminantBand15th_MockUP_LP_2000x1417_8a783c23-5561-43e2-9d69-c7f1869633cd.jpg?v=1781282578"},{"product_id":"mirel-wagner_when-the-cellar-children-see-the-light-of-day","title":"When the Cellar Children See the Light of Day","description":"\u003cp\u003e\u003ci\u003eWhen the Cellar Children See the Light of Day\u003c\/i\u003e is the new full-length album from Mirel Wagner.\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e","brand":"Mirel Wagner","offers":[{"title":"LP","offer_id":40768814579887,"sku":"710751","price":13.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40768814612655,"sku":"710752","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/mirelwagner-whenthecellar-900px.jpg?v=1633414090"},{"product_id":"steve-fisk_999-levels-of-undo","title":"999 Levels Of Undo","description":"\u003cp\u003eLong awaited solo project! Renowned NW producer (Screaming Trees, Beat Happening, Unwound, \u003ca href=\"http:\/\/www.subpop.com\/artists\/low\/--to\"\u003eLow\u003c\/a\u003e name but a few), musician (Pell Mell, \u003ca href=\"http:\/\/www.subpop.com\/artists\/pigeonhed\/\"\u003ePigeonhed\u003c\/a\u003e, and on his own), collaborator (with \u003ca href=\"http:\/\/www.subpop.com\/artists\/heather_duby\"\u003eHeather Duby\u003c\/a\u003e and with \u003ca href=\"http:\/\/www.subpop.com\/artists\/steven_jesse_bernstein\/\"\u003eSteven Jesse Bernstein\u003c\/a\u003e), and raconteur (\u003ccite\u003eHype!\u003c\/cite\u003e), Steve Fisk brings on the freaky beats, blips, noises, and squawks. He’s something of a living legend and a master of the sampling and tape manipulation art, so listen up.\u003c\/p\u003e","brand":"Steve Fisk","offers":[{"title":"CD","offer_id":40768814743727,"sku":"704602","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/2124.jpg?v=1633414093"},{"product_id":"the-elected_sun-sun-sun","title":"Sun, Sun, Sun","description":"\u003cp\u003eSun, Sun, Sun is the rope-strong, luminous follow-up to The Elected’s critically acclaimed 2004 debut, Me First. Recorded largely in motel rooms while singer\/songwriter Blake Sennett was on tour with his other band, Rilo Kiley, the album is propelled by the kind of unsettled, exploratory impetus that is only native to the American open road. While portions of the album were formed in proper studios like the all-analog Hard Drive studio in Southern California, Sennett, along with bandmate Mike Bloom,  recorded and produced the majority of this masterfully soulful creation in environments they were passing through. And, it’s evocative of those places and perspectives: \"I’ll listen to it and think, “That was recorded in a hotel in Missoula! That, we did in the van!” The dichotomy between feeling completely at home and at the same time homeless on the road fuels Sennett’s biting, reflective lyricism and grand, sweeping compositions — after all, out there, there’s plenty of time to reminisce and look forward. At times treating grit with slide guitar, tambourines and kid gloves (“It Was Love”), and at other times spitting heart-wrenching declarations with grace (“I’ll Be Your Man”, “Did Me Good”), Sun, Sun, Sun is Sennett’s newest gem.\u003c\/p\u003e","brand":"The Elected","offers":[{"title":"LP","offer_id":40768814776495,"sku":"707011","price":10.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":40768814809263,"sku":"707012","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/1929.jpg?v=1633414095"},{"product_id":"beach-house_bloom","title":"Bloom","description":"\u003cp\u003e\u003ccite\u003eBloom\u003c\/cite\u003e is the fourth full-length album by Baltimore-based Beach House. Like their previous releases (\u003ca href=\"http:\/\/www.subpop.com\/releases\/beach_house\/full_lengths\/beach_house\"\u003e\u003ccite\u003eBeach House\u003c\/cite\u003e\u003c\/a\u003e in 2006, \u003ca href=\"http:\/\/www.subpop.com\/releases\/beach_house\/full_lengths\/devotion\"\u003e\u003ccite\u003eDevotion\u003c\/cite\u003e\u003c\/a\u003e in 2008, \u003ca href=\"http:\/\/www.subpop.com\/releases\/beach_house\/full_lengths\/teen_dream\"\u003e\u003ccite\u003eTeen Dream\u003c\/cite\u003e\u003c\/a\u003e in 2010), it further develops their distinctive sound yet stands apart as a new piece of work. \u003ccite\u003eBloom\u003c\/cite\u003e is meant to be experienced as an \u003cspan class=\"caps\"\u003eALBUM\u003c\/span\u003e, a singular, unified vision of the world. Though not stripped down, the many layers of \u003ccite\u003eBloom\u003c\/cite\u003e are uncomplicated and meticulously constructed to ensure there is no waste. \u003ccite\u003eBloom\u003c\/cite\u003e was recorded in 2011 at Sonic Ranch Studios in Tornillo, TX and mixed at Electric Lady in \u003cspan class=\"caps\"\u003eNYC\u003c\/span\u003e. The band co-produced the record with Chris Coady. \u003c\/p\u003e","brand":"Beach House","offers":[{"title":"2xLP","offer_id":40768815071407,"sku":"709651","price":19.25,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40768815104175,"sku":"709652","price":9.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":40768815136943,"sku":"709654","price":7.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/files\/12778_cbbf4dc3-9efa-48cd-9e05-9c4dfe79b3f6.jpg?v=1777592061"},{"product_id":"happy-birthday_happy-birthday","title":"Happy Birthday","description":"\u003cp\u003eHappy Birthday is Kyle Thomas (aka King Tuff), Chris Weisman, and Ruth Garbus. They formed in November 2008 to play one show at the punk-space “Tinderbox”(\u003cspan class=\"caps\"\u003eRIP\u003c\/span\u003e), in their hometown Brattleboro, Vermont. Kyle needed a band to play his new pop songs because he was too scared to play by himself. They enjoyed playing with eachother so much that they decided to keep doing it.\u003c\/p\u003e\u003cp\u003eKyle sings and plays lead guitar. The songs are mostly his, but the band arranges and finishes them together. He is also a painter and drawer and loves top 40, shoes, texting, comic books, etc. Ruth Garbus plays drums and sings. She also makes her own music and art. Chris Weisman plays “inverted-tuning” guitar, bass, and sings. He makes 4-track songs, enjoys reading and writing, and is a guitar teacher.\u003c\/p\u003e","brand":"Happy Birthday","offers":[{"title":"LP","offer_id":40768815333551,"sku":"708501","price":16.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":40768815366319,"sku":"708502","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/6264.jpg?v=1633414103"},{"product_id":"ian-sweet_crush-crusher","title":"Crush Crusher","description":"\u003cp\u003eIn writing \u003ci\u003eCrush Crusher\u003c\/i\u003e, Medford committed herself to exploring her own issues with self-image, self-respect\/worth, and the responsibility she has felt to others. Album opener “Hiding” was one of the first songs she wrote for the record while living in a frigid Brooklyn apartment during a winter break amidst her grueling tour schedule. In the song, Medford reflects on an interpersonal relationship that fell apart because of an inability to feel supreme comfort in sharing all the pieces of herself with someone. Nevertheless, a hopeful demeanor shines through on “Hiding” and in her writing across the album, with lyrics that embrace life’s hurdles and make them feel a little less scary.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMuch of \u003ci\u003eCrush Crusher's\u003c\/i\u003e songs deal with Medford’s internalized pressure to become a caretaker in many of her close friends’ lives. As a defense mechanism for her own insecurities, Medford projects a sense of invincibility and benevolence to feel more deserving of the love received from others; we hear this on “Holographic Jesus” when she repeats the phrase “the sun built me to shade everybody,” characterizing the sacrifice and responsibility she feels in ways that could easily go unnoticed. “Holographic Jesus” ultimately represents a façade of strength that Medford has clung onto and, in true Taurus fashion, is stubborn to let go of.\u003c\/p\u003e\u003cp\u003eMusically, \u003ci\u003eCrush Crusher\u003c\/i\u003e is full of dissonant open chords and abnormal progressions, finding beauty in a level of conflict not seen on \u003ci\u003e\u003ca title=\"Link: https:\/\/www.hardlyart.com\/releases\/ian_sweet\/shapeshifter\" href=\"https:\/\/megamart.subpop.com\/releases\/ian_sweet\/shapeshifter\"\u003eShapeshifter\u003c\/a\u003e\u003c\/i\u003e. To help achieve this expansive-but-focused sound, Medford enlisted the help of someone who was just as ambitiously experimental in their approach, producer and engineer Gabe Wax (Deerhunter, The War on Drugs, Soccer Mommy). Medford and Wax set up shop at Rare Book Room studios in Greenpoint, Brooklyn, and completed the basic tracking with musicians Simon Hanes on bass and Max Almario on drums. “Coming into a space where some of my biggest inspirations like Bjork, Dirty Projectors, and Deerhunter had all once also recorded, I felt determined to push myself and test every boundary that I may have subconsciously created along the way. Gabe made me feel comfortable with attempting anything,” Medford says. By the end of the recording process, IAN SWEET wound up with an unconventional assortment of songs featuring disparate elements of psych- rock, trip-hop, and shoegaze that together forged a sound uniquely her own.\u003c\/p\u003e","brand":"IAN SWEET","offers":[{"title":"LP","offer_id":40768815431855,"sku":"731101","price":11.69,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40768815464623,"sku":"731102","price":8.3,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":40768815497391,"sku":"731104","price":7.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/iansweet-crushcrusher-cover-3600x3600.jpg?v=1633414107"},{"product_id":"scud-mountain-boys_massachusetts","title":"Massachusetts","description":"\u003cp\u003eReleased 4\/96.\u003cbr\u003e\u003c\/p\u003e","brand":"Scud Mountain Boys","offers":[{"title":"CD","offer_id":40768815530159,"sku":"703422","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/512.gif?v=1633414109"},{"product_id":"kristin-kontrol_x-communicate","title":"X-Communicate","description":"\u003cp\u003e\u003cb\u003eSometimes you have to rip it up and start again.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt was a tough call for Dee Dee. \u003ca href=\"http:\/\/subpop.com\/artists\/dum_dum_girls\" title=\"Link: http:\/\/subpop.com\/artists\/dum_dum_girls\"\u003eDum Dum Girls\u003c\/a\u003e was her guise for the better part of a decade, an outlet through which she had crafted an instantly identifiable body of work. Demos made in a studio apartment on a nylon string guitar and posted on to a Myspace page pricked the ears of various labels including Sub Pop who the band signed with. From there, Dee Dee assembled her group of badass, black-clad cadets and toured the world. Over the course of three albums, four EPs, and a bold brace of singles, Dum Dum Girls morphed from the girl-group-gone-bad moves of debut album \u003ci\u003e\u003ca href=\"http:\/\/megamart.subpop.com\/releases\/dum_dum_girls\/i_will_be\" title=\"Link: http:\/\/megamart.subpop.com\/releases\/i_will_be\"\u003eI Will Be\u003c\/a\u003e\u003c\/i\u003e (2010), to the plush noir-pop of 2014’s \u003ci\u003e\u003ca href=\"http:\/\/megamart.subpop.com\/releases\/dum_dum_girls\/too_true\" title=\"Link: http:\/\/megamart.subpop.com\/releases\/too_true\"\u003eToo True\u003c\/a\u003e\u003c\/i\u003e, with its motorik beats and svelte harmonies; a dark heart burning bright.\u003c\/p\u003e\n\u003cp\u003eBut sometimes the project you pour your soul into ends up hemming you in. As her music evolved, Dee Dee found that she would be forever refracted through the prism of Dum Dum Girls’ early work: retro-leaning female harmonies, a backdrop of lo-fi, fuzzed-up guitars.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAt the top of 2015, she decided to shed her skin, ditching Dee Dee for her real name, Kristin, and adding Kontrol. It was a spontaneous idea – but it resonated with her.  As Karen O once counseled her, it may be a leap into the unknown, but little risk means little reward.\u003c\/p\u003e\n\u003cp\u003eHer challenge was to start fresh, and go further back into her relationship with music. Her goal was to sweep all her loves together into one genre-less experience.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“The first music I felt was mine was classic 80s pop and 90s R\u0026amp;B, from Tiffany and Debbie Gibson to Janet Jackson and Madonna, to TLC and SWV,” she says. “But for years I was hellbent on the rock’n’roll thing, revering Joan Jett, Patti Smith, Chrissie Hynde” — a rebellion against her classical vocal training — “but with Kristin Kontrol I just wanted to try it all….I thought I’m Kate Bush covering Mariah.”\u003c\/p\u003e\n\u003cp\u003eArguably the biggest shift beyond the music is that, as Kristin Kontrol, she tells her stories using a sonic palette splashed with bold pop melodies, her vocals showcasing a range hitherto unexplored. The songs that emerge from Kristin’s universe are familiar but unique. You can hear the touchstones of new wave, R\u0026amp;B, synthpop, krautrock, postpunk, and even reggae, but \u003ci\u003eX-Communicate\u003c\/i\u003e uses genre rather than adheres to it, with a distinct nod to the present.\u003c\/p\u003e\n\u003cp\u003eThe visual aesthetic has morphed, too: Dee Dee in her inky ebony garb is gone, and in her place stands a newly minted, assured figure - but one that’s playful, too. “It turned out to be timely, unfortunately, that I’ve been fantasizing about this sort of Thin White Duchess concept for a while. Maybe Bowie is my patron saint. He’s certainly always led the charge to evolve.”\u003c\/p\u003e\n\u003cp\u003e“I feel free. I had to excommunicate myself to be able to explore. Even if I have to rebuild my whole career, I’d rather work tirelessly then feel stagnant. I feel excited again, and you can’t put a price on that.” \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.subpop.com\/artists\/kristin_kontrol\" title=\"Link: http:\/\/www.subpop.com\/artists\/kristin_kontrol\"\u003eRead the full story on making \u003ci\u003eX-Communicate\u003c\/i\u003e over here.\u003c\/a\u003e\u003c\/p\u003e","brand":"Kristin Kontrol","offers":[{"title":"LP","offer_id":40768815562927,"sku":"711601","price":11.69,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":40768815595695,"sku":"711602","price":9.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":40768815628463,"sku":"711604","price":7.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/kristinkontrol-xcommunicate-900.jpg?v=1633414112"},{"product_id":"rye-coalition_got-this-thing-on-the-move","title":"Got This Thing on the Move","description":"\u003cp\u003eNew Jersey post-hardcore act dips their toes into the classics with this Singles Club 7-inch. The band puts their own spin on Grand Funk Railroad’s \"Got This Thing On The Move” and AC\/DC’s “Whole Lotta Rosie.” Recorded with Steve Albini, the tracks are an appropriately noisy and brash homage to the originals. “Whole Lotta Rosie” in particular captures the rowdy charm that made AC\/DC so iconic, reinterpreted with modern rock sneer. \u003c\/p\u003e\u003cp\u003e\u003cem\u003e-Dusty Henry, courtesy of KEXP\u003c\/em\u003e\u003c\/p\u003e","brand":"Rye Coalition","offers":[{"title":"7 inch","offer_id":40768815661231,"sku":"705707","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/781.gif?v=1633414113"},{"product_id":"jacuzzi-boys_glazin","title":"Glazin'","description":"\u003cp\u003e\u003ccite\u003eGlazin’\u003c\/cite\u003e is the new full-length from Jacuzzi Boys.\u003c\/p\u003e","brand":"Jacuzzi Boys","offers":[{"title":"LP","offer_id":40768816185519,"sku":"730371","price":13.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":40768816218287,"sku":"730372","price":8.3,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/9581.jpg?v=1633414120"},{"product_id":"mudhoney_march-to-fuzz","title":"March To Fuzz","description":"\u003cp\u003eTriple LP!  The most Mudhoney.\u003c\/p\u003e","brand":"Mudhoney","offers":[{"title":"CD","offer_id":40768816316591,"sku":"705002","price":10.8,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0492\/1527\/5174\/products\/1960.jpg?v=1633414122"},{"product_id":"shabazz-palaces_quazarz-vs-the-jealous-machines-illustrated-album","title":"Quazarz vs. The Jealous Machines (Illustrated Album)","description":"\u003cp\u003e\u003cspan id=\"m_750075995296797775gmail-m_6932802461213645993gmail-docs-internal-guid-6e8ae317-e945-1660-6e4b-6c022d541055\"\u003e\u003ci\u003e\u003ca title=\"Link: http:\/\/megamart.subpop.com\/releases\/shabazz_palaces\/quazarz_vs_the_jealous_machines\" href=\"http:\/\/megamart.subpop.com\/releases\/shabazz_palaces\/quazarz_vs_the_jealous_machines\"\u003eQuazarz vs. The Jealous Machines\u003c\/a\u003e\u003c\/i\u003e will also be available as a special-edition illustrated album: illustrated by cartoonist Joshua Ray Stephens this full-color, 32-page book includes a download code for the full album. 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